The top of the Envelopes tab shows you a visual representation of how the harmonic envelopes are currently set.

It’s basically a spectrogram, but cleaner and linear scaled. Optimized to make more sense when tweaking patches. The essence is the same: it shows you how your note will evolve over time. Brightness indicates loudness.

The fundamental comes in right away, with the upper harmonics taking much longer to fade in. Result: the note gets brighter as the attack evolves.

The colors here are the same as on the Volumes page — purple for the lower harmonics, going through blue and orange up to red for the highest harmonics. Time is the X axis, and the background is segmented into units of 1s.

Note that the volumes from Page 1: Volumes are reflected here.

Since the middle harmonics are muted on Page 1, you’ll see them muted here, in Envelopes.

Remember! All harmonics in sine machine are scaled to 1/f to help you make things that sound good to humans — so the harmonic brightness is actually relative to this 1/f scale.

If you were to run sine machine through a spectrogram, you will see a lot less brightness showing on the upper harmonics — they are quieter absolutely, just like every naturally occurring sound and instrument.


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